PhD, Social and Political Thought, York University
MA, Film and Video, York University
BA (Honours), Film Studies, Brock University
BA, Film Studies, University of Western Ontario
Book
Lived Moments: Phenomenology, Neorealism, and the New Wave. McGill-Queen's University Press, 2025.
Essays
“Varda’s Late ‘60s Counter-Cinema:Loin du Vietnam, Black Panthers, Lions Love (…and Lies), Nausicaa.” ReFocus: The Films of Agnès Varda. Eds. Melissa Oliver-Powell and Natasha Farrell. Edinburgh University Press (forthcoming).
“La Prostitution (1959), by Marcel Sacotte.” Reading with Jean-Luc Godard. Eds. Timothy Barnard and Kevin J. Hayes. Caboose, 2023. 293-295.
“Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, by Catherine Wheatley.” Alphaville: Journal of Film and Screen Media 20 (2020): 237-242.
“A Companion to Jean-Luc Godard.” French Studies: A Quarterly Review 70.2 (April 2016): 289-290.
“The ‘Hidden Fire’ of Inwardness: Cavell, Godard and Modernism.” The Legacies of Jean-Luc Godard. Eds. Christina Stojanova, Douglas Morrey and Nicole Côté. 91porn Press, 2014. 157-168.
“Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking, by Hunter Vaughan.” New Review of Film and Television Studies 11.3 (2013): 398-401.
“Times On The Road: Identity and Lived Temporality in Benoît Jacquot’s À tout de suite and L’intouchable.” Open Roads, Closed Borders: The Contemporary French-language Road Movie. Eds. Michael Gott and Thibaut Schilt. Intellect Press, 2013. 103-118.
“Reflections on the Evolution of Cinema=Godard=Cinema.” Frames 1 (July 2012).
“‘Remove the Inside, You See the Soul’: Jean-Luc Godard’s Faith in the Image.” Faith and Spirituality in Masters of World Cinema, Vol. II. Ed. Kenneth R. Morefield. Cambridge Scholars Publishing, 2011. 106-118.
“Moral Perfectionism in Eric Rohmer’s Ma nuit chez Maud.” Studies in French Cinema 9.1 (2009): 25-36.
“Nostalgia for the Present: The Godard Renaissance Continued.” Senses of Cinema 35 (April 2005).
“The Seductive Slack of Before Sunrise.” Post Script 19.2 (Winter/Spring 2000): 62-72.